Christianity––or any religion for that matter––is considered nothing more than a preference and a hobby in our secular age. Religious talk seems meaningless and embarrassing. We must accurately face the postmodern critique of Christianity, and offer an account of the world that satisfies the postmodern subjectivist as well as the rationalist.
Christian thinkers have argued for millennia that only God can give objective grounds for the transcendent moral law. Fyodor Dostoyevsky flips that equation in the face of the death of God in Russia, “Without God, anything is permissible.” That is, if God doesn’t exist, there is no such thing as an act that is off limits, immoral or evil. Dostoyevsky warned that if Russia tries to live out the European Enlightenment worldview, then society will quickly realize that a godless universe is a lawless universe.
In Crime and Punishment, Raskolnikov lives out the logical conclusions of atheism, utilitarianism, and Nietzsche’s view of morality by murdering a useless old pawnbroker. Despite the logical justifications for his crime, Rodion realizes that moral laws are fixed in the universe, and he cannot escape his guilty conscience regardless of his rationalizations. An atheistic worldview says that sin is a construct, and Raskolnikov is a hero. But this is clearly wrong. Will Raskolnikov confess, repent, and turn to Christianity for forgiveness? Or will narcissism and ideology drive him to utter despair while his mind and his heart wreak havoc on what is left of his sanity?
Fyodor Dostoyevsky (1821–1881) is often regarded as one of the best novelists to ever live. He is known for his penetrating grasp of psychology, his understanding of the dark side of human nature, and his unbelievably accurate predictions of what the 20th century would hold if the socialist revolutionaries came to power. Dostoyevsky made an enormous impact on modern the modern worldview, contributing to 20th century realism, existentialism and literary criticism. His unsurpassed delivery of philosophical concepts in narrative form makes him a truly unique author in world history. Among his most famous works, Crime and Punishment is an excursion into the practical consequences of utilitarian ethics, an atheistic worldview and the absurdity of objective morality without a higher authority––all displayed in the form of a captivating murder mystery with engaging characters, plot twists and masterful prose.